1.м(x)}ʾ_憖}
}njҪǰеĿԹԼX(ni)SZ(dng)÷օs䌍(sh)}Ƿ?jn)?sh)ƫ͵Ҫԭ}}ں̶ܴP(gun)ϵƪµijɔ^Եp}HҪм(x)о}Ŀ߀ҪY(ji)ϽoʾԷҪ_Ҫă(ni)Ҫ@ʲô}팑@DZCƪ}P(gun)I;_Z˷Q˷QyЇW(xu)һ(g)ëڌ}Aδ_˷QDZ˷QyЧ;;ע(dng)~ĕr(sh)B(ti)ZПoҪ
2.@ʾ(gu)¿
ݔMVr(sh)Ҫoo@ʾʾP(gun)I~M?ci)U(ku)չʾṩϢĶ(gu)µĿڔU(ku)չʾr(sh)Ҫעԭⲻ(dng)ճʾеP(gun)I~ǽ^Ҫհʾе~M;һҪ׃Q˼ͬı_(d)M(jn)Q@@ʾZԑ(yng)Ҫһh(hun)˱(ni)}ҪʾеP(gun)I~l(f)@P(gun)I~_˼·l(f)](lin)ӛ(lin)뵽Ė|ǾҲ~M;ӢZҲǝhZȻӛ䛵ă(ni)M(jn)кYxxдԵă(ni)ݲݔMµV
3.(j)MVȫּ估}
ȫּ(thesis statement)wȫĵĺă(ni)}(topic sentence)tǽy(tng)I(lng)ă(ni)ݵ}Ǟȫּ(w)ġܶͬW(xu)ȫּȱ˽o^(q)ȫּͶ}䡣ȫּr(sh)(yng)עĆ}
1)ּͨһ(g)ּҪx˼Ćһ;
2)ּµչ_;
3)ּöZľ䡢Ɇ;
4)ּ(yng)ԓ_wּ^ھw͟oչ_µČ;
5)ͬһ(g)(bio)}вּͬxּ횂(c)ؘ(bio)}ijһͬă(ni);
6)ּ횽ʾߵ^c(din)͑B(ti)
ʹҸص˽ȫּ䣬Ոм(x)xоДЩЧּfɣ
1. Our classroom is clean bright and cozy.
ּ^խoչ_팑ǟoЧּ
2. Though facing many serious difficulties our reform is still a successful one.
ЧּȲ^ڌҲ^ڼ(x)(ji)^m(x)չ
3. The sun is very important.
@ԒԒ}^oգÎʮfֵƪ픢ҲδfÉԔMּ@^^x댑ʲôǟoЧּ
(j)Ӣ˵Č(x)TȫּεһF(xin)ˡȫּͶ}˼Sc(din)}Ĝ(zhn)KõĶ}}ڇ@ּM(jn)ДU(ku)չֳoxһNһҊѪĸ}xߑ(yng)˽ҪUă(ni)}ͨһ(g)ZY(ji)(gu)(ni)ݸ~˵Ćξͨ}ڶ_^ʹ½Y(ji)(gu)f(qing)
4.Vo}ɶ䡣
˶}߀Ҫ}ķVе˼·Ķɸ(g)䡣r(sh)ҪMܶѼ(x)(ji)֧}oP(gun)“ҕӲӰ”Զ}估Y(ji)Փ֣p
Introduction Television contributions to society positive and negative have been debated continually since this piece of technology invaded the average American household in the 1950s.
Topic sentences
1. TV distorts reality by selecting certain kinds of images and omitting others and by portraying people in a stereotyped way.
2. TV affects human relationships as well as behavior by influencing our feelings about ourselves and our expectations for ourselves and others.
3. Exposure to stereotyped presentations can easily influence viewers' behavior toward unfamiliar people.
4. Perhaps most serious are the effects of information distortions on the child's self-image.
Conclusion
TV programs should demonstrate a realistic lifestyle and a responsible sense of behavior. The many hours children spend in front of the television can obviously influence their view of the world. According to TV how does the world in fact work ? As a society we cannot afford the consequences resulting from the distortions of reality portrayed every day in these shows.
5.z
иԇr(sh)goҴ֮©yбҪ(f)飬r(sh)mƫ©Ķ|(zh)һhҪᘌ傀(g)c(din)λм(x)˲飺
AǷ}
cVȣǷر_(d)Ҫă(ni)ԏM(jn)п飺һƪ(ni)Ƿк(bio)}Ҫ;Ƕ}ă(ni)Ƿcʾ(ni)һ;Ƕ(ni)ă(ni)Ƿc}ı_(d)һl(f)F(xin)κһ(g)治}(yng)Ma(b)hЩĻ}ĵط;횈ȱZx_(d)ĵطڕr(sh)ghă(ni)һҪҪҪмɄ(dng)“g(sh)”
BǷB؞
zǷB؞㕽ǷȻz(yn)Ę(bio)(zhn)ҪǾǷͨԓ^~ĵط˛]Լõ^~Ƿm
CǷʹһЩe(cu)`Ļǡ(dng)?sh)~Z
zǷ~(dng)?sh)rҪxԼаյ~_(d)˼룬~~ʽӢZ
DǷZe(cu)`
^Ƿһ(dng)~ĕr(sh)B(ti)ZB(ti)ZʹǷ_~MĴǷϺ(x)TⲻҪZe(cu)`Բ~Mͽ^Ҫ(yng)ʹЩԼϤ~Ḿ_(d)ͬ˼
EǷдСƴ(bio)c(din)e(cu)`ʽǷҪ
ʽҎ(gu)A醾ώӡ֡һЩҊʽҪ
(bio)}̖
бw
ÿεĵһҪո45(g)ĸĿո
(ni)֮ܺԵľ~RҿǧfҪ@(g)֮أI(y)r(sh)gҪ~Rƪ(jin)ȥպl(f)F(xin)ԼˮƽwSи茢½Y(ji)(gu)Փc(din)չ_ZԼĽY(ji)һƪ(yu)иIJؙMճ